Updated Friday 11/3 at 10:30 a.m.
In his sixth poetry collection, The Tigers, They Let Me, Anis Mojgani‘s verses create the yearning for rebirth, thriving love—a love of self and tenderness in a sorrowful world. In Trace Evidence, Charif Shanahan articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires. Moderated by Mindy Nettifee (Open Your Mouth Like a Bell).
In his sixth poetry collection, The Tigers, They Let Me, Anis Mojgani’s verses create the yearning for rebirth, thriving love—a love of self and tenderness in a sorrowful world. Drawing inspiration from Rexroth and Lorca, Mojgani explores the joys of desire, both in the presence of others and during moments of solitude. These new poems reflect a touchless world, navigating the balance between loneliness and being alone. Mojgani invites readers on a voyage of intimacy, planting ideas with hope and openness, ready to witness the flowers that bloom along the way.
In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection’s center sits “On the Overnight from Agadir,” a poem that chronicles Shanahan’s survival of a devastating bus accident in Morocco, his mother’s birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.