Sight Reading: Musical Dialects with Jimmie Herrod, Nick Jaina, Black Belt Eagle Scout and 45th Parallel Universe

Musical Dialects with Jimmie Herrod, Nick Jaina, Black Belt Eagle Scout and 45th Parallel Universe

Music is more than just an aural language – it is a multitude of communication modes and literacies. Sight Reading features world-renowned songwriters translating between dialects in real time: the written language of music (usually expressed on staff), oral / aural traditions and “playing by ear” come together to work with Oregon Symphony musicians as they perform newly-created arrangements of songs by musicians who write their music in a variety of ways.

FRIDAY NOV. 6

Jimmie Herrod

Jimmie Herrod is a singer, songwriter, and performer celebrated for his radiant tone and emotional depth. Hailed by The Seattle Times as “a voice like a beacon of hope,” Herrod brings striking expressivity to performances across stage and screen.

He rose to international prominence as a finalist on America’s Got Talent, where he earned the coveted Golden Buzzer from Sofía Vergara. He later returned to compete on AGT: All-Stars, further expanding his global audience.

Since 2017, Herrod has toured extensively with Pink Martini, performing throughout North America, Europe, and Asia. He is also a frequent guest with major orchestras across the United States and has collaborated with artists including Renée Fleming, Lalah Hathaway, Brian Blade, and Vince Mendoza.

Equally at home across genres, Herrod is known for performances that combine technical precision with warmth, clarity, and a powerful sense of connection.

Katherine Paul

This land runs through Katherine Paul’s blood. And it called to her. In dreams she saw the river, her ancestors, and her home.When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.

It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home.The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.

There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something.

Chord progressions born out of moments of sadness and solitude transform into the islands that sit blue along the horizon. The Salish Sea curves along her homelands, and when the singer is close to this water she is reminded of her grandmother, how she looked out at these same islands, and she’s held by spirit and memory.

The Land, The Water, The Sky rises and falls, in darkness and in light, but even in its most melancholy moments it is never despairing. That is the beauty of returning home. When you stand on ancestral lands it is impossible to be alone. You feel the arms and hands that hold you up, unwilling to let you fall into sorrow or abandonment. In her songs Katherine Paul has channeled that feeling of being held. In every note she has written a love letter to indigenous strength and healing.

There is a joy present here, a fierce blissfulness that comes with walking the trails along the river, feeling the sand and the stones beneath her feet. It is the pride and the certainty that comes with knowing her ancestors walked along the same land, dipped their hands into the water, and ran their fingertips along the same bark of cedar trees.

This is a story of hope, as it details the joy of returning. Katherine Paul’s journey home wasn’t made alone, and the songs are crowded with loved ones and relatives, like a really good party. And as the songs walk us through the land it is important we hover over the images and the beauty, the moments that mark this album as site specific. The power of this land is woven throughout, telling the story of narrow waterways, brushstrokes, salmon stinta, and above all healing. Let it take you. Move through the story and see the land through her eyes, because it is a gift, awelcomedsʔabadəb.

**The word “gift” in Lushootseed, the language of the Coast Salish people“

Nick Jaina

Nick Jaina is a Portland-based musician and writer whose work bridges music, literature, and performance. Originally from Sacramento, he has lived and worked in Portland, New York, and New Orleans, shaping a multidisciplinary creative career.

Jaina is the author of the memoir Get It While You Can, a finalist for the Oregon Book Award and now in its third printing. His writing has appeared in The Atlantic, McSweeney’s, and Oregon Humanities.

As a musician, he has released numerous albums under his own name, including 2025’s The Monster Mash, blending literary sensibility with adventurous songwriting. His work often crosses artistic boundaries, reflecting a deep engagement with narrative and form.

He co-founded and served as music director for the New York-based ballet company Satellite, collaborating with dancers from Juilliard School and New York City Ballet, with performances at the Brooklyn Academy of Music.

Jaina has also composed scores for films and documentaries including All Sorts, Cement Suitcase, and Elemental: Reimagine Wildfire.

45th Parallel Universe

45th Parallel Universe is a collective of musicians dedicated to celebrating great chamber music through intimate, imaginative performances. Comprised primarily of musicians from the Oregon Symphony, the ensemble brings exceptional artistry and a spirit of collaboration to every project.

Since 2009, 45th Parallel has blurred boundaries between old and new, classical and contemporary, bluegrass and jazz, fiddle and folk. Their programming reflects Portland’s vibrant creative community, drawing together diverse audiences through unexpected and thoughtfully curated musical experiences.

Known for its “360-degree” approach to programming, the ensemble seamlessly weaves Bach and Beethoven alongside adventurous repertoire and cross-genre collaborations. These projects often feature artists from a wide range of traditions, embracing the richness and diversity of the region.

At its core, 45th Parallel Universe believes in music as a powerful and shared human experience—one that is both timeless and ever-evolving.